An incarnate figure appears at fitful intervals, with its plasticity partially blurred by washed out areas or overwhelmed by suddenly violent strokes whose gestural quality gains the upper hand over conventional, classic equilibrium. BUT, within the dark, nearly monochromatic tones, that characterize this phase, Crouching Nude on Rail, introduces an eruption of blue that completely upsets the tonal atmosphere at the time.
Σάββατο 25 Οκτωβρίου 2014
Francis Bacon / Painting - Crouching Nude (1950-1951)
An incarnate figure appears at fitful intervals, with its plasticity partially blurred by washed out areas or overwhelmed by suddenly violent strokes whose gestural quality gains the upper hand over conventional, classic equilibrium. BUT, within the dark, nearly monochromatic tones, that characterize this phase, Crouching Nude on Rail, introduces an eruption of blue that completely upsets the tonal atmosphere at the time.
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